Reproduction of the Recorded Sound with Acoustic Drums
At Canopus. our optimum outcome in drum manufacturing is to reproduce the recorded sound with the acoustic drums we manufacture. All drummers have experienced the disparity between the sound of a real drum-set and the recorded sound. In the recording studio. many devices are used such as muffling. microphones with special properties. supplemented and reduced overtone elements by equalizers and other sound manipulating devices such as gate-reverb and limiters.
We assigned the role of muffling to edge shaping. Generally. muffling is implemented to adjust overtone and make the entire drum sound more coordinated. When muffling is used. at least some of the natural vibration of the drum head will be lost. As a result of our research on overtone control by edge shaping. we successfully gained clean and clear sound without sacrificing the natural vibration of the drum heads and eliminated unwanted overtone. On our bass drum. we eliminated unwanted high overtone by edge shaping and realized a tight and rich (fat) sound without muffling or putting a hole in the drum-head.
Moreover. by reviewing shell construction. we have concluded that no equalizing is needed to supplement the low and high tone when we pull out the shell's full potential. Consequently. recording engineers and PA engineers praise CANOPUS drums as well as drummers.
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